The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 21
... angle , A , is a gap in the composition , but there is no proof of any figure ever having been there . Besides , there is a corresponding gap in the right wing , equally with no trace of any figure . In our judgment these two gaps are ...
... angle , A , is a gap in the composition , but there is no proof of any figure ever having been there . Besides , there is a corresponding gap in the right wing , equally with no trace of any figure . In our judgment these two gaps are ...
Page 22
... angle ; and if we could convince ourselves that the group of women and boys , P - U , in the right wing represent the family of Erechtheus , as Professor Furtwaengler has proposed , we would be content so far . The two remaining figures ...
... angle ; and if we could convince ourselves that the group of women and boys , P - U , in the right wing represent the family of Erechtheus , as Professor Furtwaengler has proposed , we would be content so far . The two remaining figures ...
Page 22
... angles two groups of women and children whom we are tempted to suppose sitting in the sun at the moment of the divine contest in a garden beside the sanctuary of Athenè and Hephaestos , where Plato imagines the ruling ... ANGLE GROUPS 23.
... angles two groups of women and children whom we are tempted to suppose sitting in the sun at the moment of the divine contest in a garden beside the sanctuary of Athenè and Hephaestos , where Plato imagines the ruling ... ANGLE GROUPS 23.
Page 22
... angles of the pedi- ment , having already expressed an opinion that the reclining figure in the left , A , is a river - god , either the Ilissos or Cephisos , and that the reclining woman in the right , W , may be the fountain ...
... angles of the pedi- ment , having already expressed an opinion that the reclining figure in the left , A , is a river - god , either the Ilissos or Cephisos , and that the reclining woman in the right , W , may be the fountain ...
Page 25
... angle figures in the composition as a whole . To begin with , they are separated , as already said , by a gap from the family group next them . If the figures in the angles belong to a different order of beings , then we can understand ...
... angle figures in the composition as a whole . To begin with , they are separated , as already said , by a gap from the family group next them . If the figures in the angles belong to a different order of beings , then we can understand ...
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias pediment of Olympia peplos Pheidias PLATE Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus at Olympia