The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 37
... - we must state our present opinion that he is more likely to be Cephalos , the ideal Attic huntsman , beloved of Eos , awakening from his slumber on Mount Hymettos when it is flushed with the rosy light of dawn , as we have seen THESEUS ...
... - we must state our present opinion that he is more likely to be Cephalos , the ideal Attic huntsman , beloved of Eos , awakening from his slumber on Mount Hymettos when it is flushed with the rosy light of dawn , as we have seen THESEUS ...
Page 38
Alexander Stuart Murray. the rosy light of dawn , as we have seen it , and when a murmur of the birth of Athenè had just reached him , still in semi - consciousness . The figures next him , E , F , G , form a group of three at present ...
Alexander Stuart Murray. the rosy light of dawn , as we have seen it , and when a murmur of the birth of Athenè had just reached him , still in semi - consciousness . The figures next him , E , F , G , form a group of three at present ...
Page 41
... light we accept these three figures , K , L , M , as a triad . No triad of women , each of about the same age and all fairly clad , was better known than the Fates , and none more appropriately present at a birth . On the Madrid puteal ...
... light we accept these three figures , K , L , M , as a triad . No triad of women , each of about the same age and all fairly clad , was better known than the Fates , and none more appropriately present at a birth . On the Madrid puteal ...
Page 46
... light of the sinking moon . And in any case we must bear in mind that the fact of all three figures being closely draped , reasonable in the Gardens . See also Reisch , in the Jahresheften d . Oesterr . Inst . , i . p . 77 fol . 1 ...
... light of the sinking moon . And in any case we must bear in mind that the fact of all three figures being closely draped , reasonable in the Gardens . See also Reisch , in the Jahresheften d . Oesterr . Inst . , i . p . 77 fol . 1 ...
Page 47
... a mule . The daily splendour of the sun ( aliusque et idem ) might well be represented by a quadriga , while the fainter light of the moon would be sufficiently indicated by one horse , and , in fact , on the Parthenon only one.
... a mule . The daily splendour of the sun ( aliusque et idem ) might well be represented by a quadriga , while the fainter light of the moon would be sufficiently indicated by one horse , and , in fact , on the Parthenon only one.
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...