The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 85
... procession in duplicate , so that a visitor beginning at the west end could choose whichever of the two long sides ... procession sketched from two sides . If we imagine the procession at some par- ticular stage of the journey dividing ...
... procession in duplicate , so that a visitor beginning at the west end could choose whichever of the two long sides ... procession sketched from two sides . If we imagine the procession at some par- ticular stage of the journey dividing ...
Page 86
... procession ( 49-56 ) . At the same time he sent to Paris a cast of the slab immediately preceding this one . Very fortunately so , because that slab was subsequently much destroyed . One figure of an old man , 46 , was chipped off ...
... procession ( 49-56 ) . At the same time he sent to Paris a cast of the slab immediately preceding this one . Very fortunately so , because that slab was subsequently much destroyed . One figure of an old man , 46 , was chipped off ...
Page 88
... procession through the streets of Athens which took place in his own lifetime every four years . The people of Athens knew very well what the actual procession was like . They knew that the head of it consisted of a ship on wheels ...
... procession through the streets of Athens which took place in his own lifetime every four years . The people of Athens knew very well what the actual procession was like . They knew that the head of it consisted of a ship on wheels ...
Page 89
... procession were to be sacrificed in honour of the gods . They supposed that the gods were not indifferent in such matters , but it may be doubted whether many of the Athenians then actually believed that the deities were invisibly ...
... procession were to be sacrificed in honour of the gods . They supposed that the gods were not indifferent in such matters , but it may be doubted whether many of the Athenians then actually believed that the deities were invisibly ...
Page 90
... procession , is a very just obser- vation of mother and child . Let us add that the figure of Eros is plainly that of a young boy . We may bear this in mind when we read that it was only in later Greek art that he took this very ...
... procession , is a very just obser- vation of mother and child . Let us add that the figure of Eros is plainly that of a young boy . We may bear this in mind when we read that it was only in later Greek art that he took this very ...
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...