The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
From inside the book
Results 6-10 of 21
Page 22
... regard this nude figure , S , as a third boy is to ignore Carrey's obvious intention in drawing it as a woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended ...
... regard this nude figure , S , as a third boy is to ignore Carrey's obvious intention in drawing it as a woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended ...
Page 33
... regard it as a happy coincidence that on the Parthenon the sun rises exactly as in the sky at Athens . In ancient times the sun stood still at scenes of carnage , as on Mount Gibeon , or of horror , as at the feast of Thyestes . At the ...
... regard it as a happy coincidence that on the Parthenon the sun rises exactly as in the sky at Athens . In ancient times the sun stood still at scenes of carnage , as on Mount Gibeon , or of horror , as at the feast of Thyestes . At the ...
Page 40
... regards the two seated figures , the extent of their surprise is greater than is usually supposed . The one , E , throws out her right knee with a great strain on her dress , which brings out clearly the form of the leg . Her left arm ...
... regards the two seated figures , the extent of their surprise is greater than is usually supposed . The one , E , throws out her right knee with a great strain on her dress , which brings out clearly the form of the leg . Her left arm ...
Page 42
... regard the so - called Fates as local Attic beings , or , to repeat the phrase we have already used , when speaking of the west pediment , " inter- ested local spectators . " Accordingly we recognise in both wings of the east pediment ...
... regard the so - called Fates as local Attic beings , or , to repeat the phrase we have already used , when speaking of the west pediment , " inter- ested local spectators . " Accordingly we recognise in both wings of the east pediment ...
Page 48
... regards them as " daughters of chaos . " In the Parthenon pediment it is a question of sunrise and a waning light which surely can be no other than that of the moon . But apart from the names of the two luminaries , we note that whereas ...
... regards them as " daughters of chaos . " In the Parthenon pediment it is a question of sunrise and a waning light which surely can be no other than that of the moon . But apart from the names of the two luminaries , we note that whereas ...
Other editions - View all
Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...