...personality; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. Mary Kinzie, like all of the best postmodern poets, does not use disguises; but she is a formalist...

...point of escape from the "acute discomfort" of personality into the impersonality of art. As he says, "only those who have personality and emotions know what it means to want to escape from these things" (SE 10- n).The critic aims not only to record the unique complex of personal and artistic voices...

...personality; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. Mary Kinzie, like all of the best postmodern poets, does not use disguises; but she is a formalist...

...personality, but an escape from personality." Eliot did not help his own argument by adding "But, of course, only those who have personality and emotions know what it means to escape from these things,"16 because quite apart from appearing intolerably snobbish - ordinary people,...

...to me by the Prince of Shepherds. . . . Understand my fear ... for I fear deeply.'4 'But, of course, only those who have personality and emotions know what it means to want to escape from these things.'5 Augustine was the son of a violent father, and of a relentless mother. He could uphold what...

...what is already living. (SE, 22. Last italics mine) 636 635 We may assume that Eliot's acid remark that "only those who have personality and emotions know what it means to want to escape from these things" is aimed at Hardy and his like, since the self that Hardy "had to express" does not strike...

...of what is already living. (SE, 22. Last italics mine)636 635 We may assume that Eliot's acid remark that "only those who have personality and emotions know what it means to want to escape from these things" is aimed at Hardy and his like, since the self that Hardy "had to express" does not strike...

...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. 18 'From the beginning of consciousness to the end' Virginia Woolf: 'Modern fiction' (1919)...

...from emotion: it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. (Eliot, 1932, p. 21) In his own early poetry, there is an absence of any voice which might...

...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things." Here the argument becomes more interesting. It sounds as if the "continual extinction" had...