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" He spoke, and awful bends his sable brows, Shakes his ambrosial curls, and gives the nod, The stamp of fate, and sanction of the god : High heaven with trembling the dread signal took, And all Olympus to the centre shook. "
National Review - Page 297
1860
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Tooke's Pantheon of the Heathen Gods, and Illustrious Heroes: Revised for a ...

François Pomey - 1823 - 370 pages
...footstool for his feet he makes, And wide beneath him, all Olympus shakes. He spake ; and awful bends his sable brows, Shakes his ambrosial curls, and gives...; The stamp of fate and sanction of the god : High heaven, with trembling, the dread signal took, And all Olympus to the centre shook. — Homer. All...
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The British Essayists: Spectator

Lionel Thomas Berguer - 1823 - 682 pages
...ayaXTO; Kfarof a?r' adayaroio* fjtsyai S" iXiXi^Ey 'OXujunw. ILIAD, i. 528. He spoke, and awful bends his sable brows ; Shakes his ambrosial curls, and...The stamp of fate, and sanction of the god : High heav'n with trembling the dread signal took. And all Olympus to the centre shook. — POPE. Dixit:...
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Encyclopaedia Britannica; Or A Dictionary of Arts, Sciences, and ..., Volume 19

1823 - 936 pages
...resentment. It is thus that Homer paints Jupiter shaking Olympus by the motion of his hair and liis eyebrows. Deiphohc. It is suid, that Apollo became enamoured of In r. anil that to make her sensibl Jupiter is not always rxhibitcd in this tranquil state. In a bas-relief belonging to the marquis Kondini...
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The Spectator: With Sketches of the Lives of the Authors, an Index ..., Volume 8

1824 - 268 pages
...K.pomav ia.1 £' O.QO, %ttiTctt fn-iggae-avTa *».-.:» 705, II. I. iv 528. He spoke, and awful bends his sable brows, .Shakes his ambrosial curls, and...the nod, The stamp of fate, and sanction of the god: tligh heav'n with trembling the dread signal took, And all Olympus to the centre shook. Pops. Dixit...
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An epitome of the history, laws, and religion of Greece

Thomas Stackhouse - 1824 - 316 pages
...footstool of his feet he makes, And wide beneath him all Olympus shakes; He speaks, and awful bends bis sable brows, '. Shakes his ambrosial curls, and gives...The stamp of fate, and sanction of the god ; High heaven, with trembling, the dread signal takes, And all Olympus to the centre shakes." Pope's Homer....
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The Classical Journal, Volume 32

1825 - 396 pages
...II. A. 528. ''H, xal xuotveyariv \nc S<ppv<ri veuers Kpovltov, x. T. A,. He spoke, and awful bends his sable brows, Shakes his ambrosial curls, and gives...nod, The stamp of fate, and sanction of the God: High heaven with trembling the dread symbol took, And all Olympus to the centre shook.1 The parallelisms...
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The Works of Virgil

Virgil, William Staughton - 1825 - 706 pages
...tremefecit Olympum ; in imitation of Humer, II. I. He spoke, and awful bends bis sable brows, Shakes bis ambrosial curls, and gives the nod ; The stamp of fate, and sanction of the god. Pope's Iliad. So that annuii here is to be taken in its strict primary sense, He gave his nail, the...
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The new Pantheon, or, An introduction to the mythology of the ancients

William Jillard Hort - 1827 - 312 pages
...footstool of his feet he makes, And, wide beneath him, all Olympus shakes. He speaks, and awful bends his sable brows, Shakes his ambrosial curls and gives...; The stamp of fate and sanction of the God ; High heav'n, with trembling, the dread signal takes, And all Olympus to the centre shakes. Pope's Homer's...
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The Poetical Works of Alexander Pope, Esq: To which is Prefixed the Life of ...

Alexander Pope - 1830 - 500 pages
...fii'd, irrevocable sign; This seals thy suit, and this fulfils thy vows — He spoke, and awful bends N L @0M L K M M M M ? Nz L 9.N/N M N N N 7.M?3 heaven with trembling the dread signal took, And all Olympus to the centre shook. Swift to the seas...
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Dr. Blair's Lectures on Rhetoric: Abridged. With Questions

Hugh Blair - 1831 - 284 pages
...Shakes his ambrosial curls, find gives the nod ; The stamp of tate, and sanction of a God ; High heaven with trembling the dread signal took. And all Olympus to its centre shook. The imag^e is expanded, and attempted to be beautified ; but m reality it is weakened. The third line,...
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