 | John Milton - 1993 - 130 pages
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 | 1994 - 1952 pages
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 | Reynolds Price - 1995 - 376 pages
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 | James Russell Kincaid - 1995 - 288 pages
...never must return!" (1. 38) — and then by transferring the mourning activity from himself to nature: "Thee Shepherd, thee the Woods, and desert Caves,/ With wild Thyme and the gadding Vine o'ergrown,/ And all their echoes mourn" (11. 39-41). The blight is on nature, associated with the speaker only... | |
 | Simon Bainbridge - 1995 - 292 pages
...the passage evoke the literary tradition of elegy. We are reminded, for example, of Lycidas: But O the heavy change, now thou art gone Now thou art gone, and never must return . . . (lines 37-8, my italics) and: Shall no more be seen (line 43, my italics)'7 and of Lear grieving... | |
 | Carl R. Woodring, James Shapiro - 1995 - 936 pages
...clov'n heel From the glad sound would not be absent long, And old Damaetas lov'd to hear our song. But O the heavy change, now thou art gone, Now thou art gone, and never must retum! Thee shepherd, thee the woods, and desert caves. With wild thyme and the gadding vine o'ergrown,... | |
 | John Drury - 1995 - 344 pages
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Tempered to the oaten flute Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long; And old Damoetas loved to hear our song. But, oh! the heavy change, now thou art gone, Now thou art gone and never must return !... 
